The Textile Museum  /  The Textile Museum Journal

This redesign of the journal reintroduces the leading publication for the exchange of peer-reviewed textile scholarship in North America.

  • Front cover features a detail from a patterned Mamluk carpet from Cairo, Egypt.
  • Acknowledgments and table of contents pages highlight Richard Markarian, a supporter, and an Indian rug featuring animals.
  • Essay opener has a detail from Byzantine no.3 from the Grammar of Ornament by Owen Johns, showing typical patterns.
  • Essay spread with photographs features four Kyrgyz textiles mostly red and black.
  • Essay spread with photographs of the unique patterning on Lakai embroidered bags. The most prominent is used for tea.
  • Essay spread features the Pope Innocent VIII’s Mamluk carpet Return of the Doge’s ring and a full-page detail of the Doge.
  • References page.
  • Book reviews. Each review is highlighted with a photograph of the book’s cover.

Other projects completed for the Textile Museum include:

Cover of the 45th issue of the Textile Museum Journal has a textile fragment from Syria or Iran as shown through a pattern.

Textile Museum Journal Volume 45

Journal

Cover of the 46th issue of the Textile Museum Journal features a cloth tampan from South Sumatra as seen through a pattern.

Textile Museum Journal Volume 46

Journal

Cover of the 47th issue of the Textile Museum Journal features an 18th century Indian prayer carpet seen through a pattern.

Textile Museum Journal Volume 47

Journal

Cover of the 48th issue of the Textile Museum Journal features a detail from a Mpu cap in raffia as seen through a pattern.

Textile Museum Journal Volume 48

Journal

Exhibition photo from Inspiring Beauty: 50 Years of Ebony Fashion Fair shows a white floral dress with a ribbon wall graphic.

Inspiring Beauty

Exhibition graphics and print material

Printed materials from Bingata features the exhibition identity with a detail from a work with floral patterning.

Bingata!

Exhibition identity, graphics and print material

Brochure cover of China: Through the Lens of John Thomson has the identity with a photograph of women in traditional dress.

China Through the Lens of John Thomson

Exhibition identity, graphics and print material

Cover for Old Patterns, New Order brochure has the exhibition identity over a patterned design from Central Asia.

Old Patterns, New Order

Exhibition identity, graphics and print material

Cover for Weaving Abstraction has the exhibition identity over an example of textile patterning from Central Africa.

Weaving Abstraction

Exhibition identity, graphics and print material

Cover of the gallery guide has the exhibition identity for The Sultan's Garden with a textile that has floral patterning.

The Sultan's Garden

Exhibition identity, graphics and print material

Cover of Sourcing the Museum has the identity with textile fragments, one plain and the other brightly colored & patterned.

Sourcing the Museum

Exhibition identity, graphics and print material

Cover for the Vanishing Traditions gallery guide shows the exhibition identity with a patterned textile from southwest China.

Vanishing Traditions

Exhibition identity, graphics and print material

Cover of the Colors of the Oasis gallery guide displays the exhibition identity over a bright, multi-colored textile detail.

Colors of the Oasis

Exhibition identity, graphics and print material

Cover for the gallery guide for A Nomad’s Art shows the exhibition identity with a patterned kilim of Anatolia in a hexagon.

A Nomad's Art: Kilims of Anatolia

Exhibition identity, graphics and print material

Cover of the gallery guide for Binding the Clouds shows the exhibition identity over a bright, multi-colored Central Asian Ikat.

Binding the Clouds: The Art of Central Asian Ikat

Exhibition identity, graphics and print material

Cover of the Unraveling Identity catalogue showcases a Daoist priest’s robe in silk and metal-wrapped yarn with embroidery.

Unraveling Identity

Catalogue